I was honored to perform for the Third Sunday of Advent on December 13, 2020. I hope you enjoy this online worship service!
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Pre-Service Music: 
Les Petits Pas no. 1 / O Come, O Come, Emmanuel by Bernard Andres & arranged by Megan Metheney
Les Petits Pas no. 12 / Still, Still, Still by Bernard Andres & arranged by Megan Metheney
Ribambelle no. 1 / The First Noel by Bernard Andres & arranged by Megan Metheney
Lessons and Carols:  
Quem Pastores arranged by Patrick Hawes (starts at 37:05)
Angel's Carol by John Rutter (starts at 42:05)
Jesus, Jesus, Rest your Head arranged by Bob Chilcott (starts at 50:05)
Away in a Manger arranged by Michael Higgins (starts at 54:45)
Performed by The Quarantine Quartet: Valerie MacPhail, Lisa Cunningham, Reel Robertson, & Paul MacPhail; Directed by Andrew Holt; accompanied by Kela Walton, Harpist; Marcia Andrews, Organist

Three members of the Sparkle City Harp Ensemble: Anne Elizabeth, Sally Frick, and I joined a handful of other socially distanced musicians and clergy for this service live streamed from the Episcopal Church of the Advent in Spartanburg, SC on September 20, 2020. The other harpists and I hope you enjoy this online worship service!

Prelude Music
Prelude in C by J.S. Bach - Kela Walton, solo harp (starts at 1:20)
Dyades No. 5 by Bernard Andrès - Sparkle City Harp Ensemble (starts at 4:05)
Offertory Anthem
Be Thou My Vision Irish Hymn arranged by Laura Zaerr - Sparkle City Harp Ensemble (starts at 47:25)

With the help of several experts, we take a deep dive into the world of pulse, rhythm, and metronomes, as well as review metronome apps in the July/August 2020 issue of the Harp Column.

This episode of Together SpARTanburg is all about harp! Principal Harpist Emily Waggoner and I discuss the harp's history, its place in the orchestra, and perform from our homes. Music featured includes a duet version of Jupiter from Gustav Holst's The Planets based on arrangement for two harps by Janet Witman, as well as the harp variation from The Young Person's Guide to the Orchestra by Benjamin Britten, and the Waltz of the Flowers cadenza from Pyotr Tchaikovsky's Nutcracker.

Thank you to the Spartanburg Philharmonic for including harps in this wonderful online series!

With the help of several experts, I take an in-depth look at tuning as well as review tuning apps. We get into, "the nitty-gritty about the chore harpists love to hate." in this special stay at home May/June 2020 issue of the Harp Column. FREE for all harpists to download or read online here!

Naxos released the Respighi: Roman Trilogy recording by the Buffalo Philharmonic Orchestra today! In May and June of 2018 during my brief time as acting principal harpist with the BPO, the orchestra recorded Respighi's trilogy of tone-poems celebrating Rome. My sweet friend Catherine Case flew to Buffalo to play second harp for the concerts and the recording sessions. Catherine and I met in graduate school, and I've always been in awe of her amazing harp skills. Not surprisingly she is also supremely gifted at playing in a section, which is an art we harpists don't get to practice very often. Fontane di Roma (Fountains of Rome) tracks 5-8 and Pini di Roma (Pines of Rome) tracks 9-12 includes Catherine and I playing both my new and my old Salzedo model harps! Respighi did not include harp in Feste Roman (Roman Festivals). I suppose he didn't think the harp was raucous enough for the revelry at festivals, and perhaps he decided between the piano, organ, mandolin, strings, and three or more of every type of wind and brass instrument there just wasn't room for harp?

It is interesting how life moves in circles. My husband, conductor Stefan Sanders, and I spent most of our honeymoon in Rome. We rented a Vespa and spent a week scooting around looking at the very trees, roads, and fountains Respighi so eloquently captures. We even joked about hearing his music in our heads as we saw the sights, and sang the themes together while we ate gelato. When I first met Stefan he was a member of the BPO trombone section, and who would have thought that all these years, one honeymoon, and a few jobs later I would get to record Respighi with the same orchestra? I'm so grateful to Music Director JoAnn Falletta for inviting me to play with the BPO and be a part of this project.

​The recording is available on Amazon, iTunes, Spotify or your favorite music streaming service.